EARTHLING
SOCIETY LISTEN TO THIS RELEASE VIA BANDCAMP BELOW
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LIMITED EDITION TRANSLUCENT VIOLET COLOURED VINYL LP. HOUSED IN A GLOSS FINISHED 320GSM BOARD PRINTED OUTER SLEEVE WITH BLACK POLYLINED INNER BAG & DOWNLOAD CODE
LP Tracklisting
Side A
Theme from MO - The Demon
King Boxer
Inauguration In The Buddha Dome
Mountains Of Bliss
Super Holy Monk Defeats The Black Magic
Muthafucker
Side B
Spring Snow
Jetavina Grove
Mo the Demon was recorded at Leeds college
of music between November 2017 – February 2018. The basis of the
album was to record an imaginary soundtrack to the Shaw Brothers
batshit psychedicrazy Kung Fu horror ‘The Boxer’s Omen’ aka MO
or demon.
The story is an everyday one.
After a Hong Kong kickboxer is paralysed
by a cheating Thai competitor, his mobster brother vows revenge and
journeys to Thailand for a duel. Along the way, our hero is met by
bizarre visions, entered into a Buddhist monastery, and begins a quest
to save the soul of a deceased Monk (his twin brother in a past life)
who died at the hands of a powerful black magician.
We’ve all been there. However the movie
descends into a kind of spiritual Jodorowsky mushroom fest that is
completely deranged and is therefore one of those perfect midnight
movies.
So we got free studio time at LCM in
November and just went ‘fuck it’ lets make an imaginary soundtrack
in homage to such a great movie.
Taking inspiration from all the things
musical that have inspired us over the years. Berlin era Bowie, Prime
Magazine circa ‘Correct Use Of Soap’, Electric Funk Miles,
‘Caravanserai’ Santana, Embryo and god knows what else (it
doesn’t really matter as it all ends up Earthling Society), we think
we’ve made a groovy as fuck concept.
Then, Invited back in February we decided
to record 2 stand alone pieces ‘Spring Snow’ and ‘Jetavina
Grove’ and bring all our space rock elements and psych raga back
into the fray. Throw in some super cool Korean vocals courtesy of Bomi
Seo of Tirikiliatops and run the guitars through a harmonizer H910 (as
used by Visconti on Low an Heroes) and its the perfect swansong to the
last 14 years of playing live and recording together.
Recorded at LCM Leeds between Nov 2017 - Feb 2018
Produced and mixed by Harry Laird.
Additional production Fred Laird
Engineered by Harry Laird and Dec Van Riel
Mastered by John McBain at JPM mastering
Front cover artwork by Bomilito
All songs by Fred Laird except Theme from
Mo -Demon by Allen/Laird
Fred Laird - Vox, Electric and acoustic
guitars, harmonizer guitar, Marimba,
Mellotron and Drones.
Kim Allen - Bass
Jon Blacow - Drums, tablas and congas
Special guest - Bomi Seo - vocals on
Spring Snow
REVIEWS
The front cover illustration may be a
rewarding indication. This still is an odd affair for me. While
following Fred Laird's approach a bit during the recent years, I know
that he is an innovative head by all means. 'We think we've made a
groovy as fuck concept', he says. Okay!? And 'it doesn't really
matter, as it all ends up EARTHLING SOCIETY'. Period! In order to get
into the music, sometimes further even perhaps, this implies to
reserve more time and patience in general. The story, just an everyday
one, if you will ask the innovator, is dealing with a Hong Kong kick
boxer, who is out all over in Thailand having diverse adventures ...
... then once being paralyzed, but
revenged by his brother ... eventually - remember the album title - a
demon comes into consideration ... eh ... otherwise, would you please
confer with Fred himself for getting deeper into that? The music then,
quite simply, who will be surprised, is set to be an imaginary
soundtrack for this thematical background. Including him as the
protagonist on guitar and other goodies, as well as the reliable
longtime companions Kim Allen (bass) and Jon Blacow on diverse
percussion instruments.
The forerunner album 'Zen Bastard'
reflected a more retrospective orientation, quasi back to the roots
due to more common space rock given. Well, this obviously is looking
forward, here they are testing boundaries again, I would say. As
promised it's a dynamic affair, equipped with much groove served by
the solid rhythm section. But you'll be also faced with an orgiastic
acid guitar, drone and feedback battle in some cases. The album's Main
Theme marks a fantastic entree, multiple guitar tracks are merged,
turns out to be really melodic also.
King Boxer comes in a similar way with
quirky electronics on top, where Inaugaration Of The Buddha Dome then
will appear like a break, a mental downfall hereafter. The vinyl B
side is deriving from another recording session. Spring Snow shows a
compelling spoken word collaboration with Bomi Seo. Something special
for sure, an exotic Korean touch will serve a welcomed variety. The
wondrous Jetavina Grove finally comes with vocals and an indo/raga
fundament featuring tablas, saz, sitar or whatsoever exactly.
Well, it took me some extra time to get
used to this stuff, which will be released on Riot Season Records
soon. Repetitive at a first glance, the diverse nuances unfold step by
step though. Fred Earthling's next move marks an interesting
full-blown expedition. With pleasure I will give some applause for
such an ambitious and rather unusual strategy. Dedicated to those
listeners who are searching for heavy space rock off the beaten path,
arranged with acid guitars all over.
progarchives.com
Just when I thought that my records of the
year list was beginning to form in my head along comes the new
Earthling Society platter to send my list into a tailspin.
The album was recorded at Leeds College of
Music as an imaginary soundtrack to the Shaw Brothers Kung Fu horror
movie ‘The Boxer’s Omen’ (or ‘MO’ as it is sometimes
referred to) and features the regular trio of Fred Laird, Kim Allen
and Jon Blacow. One look at the range of instruments played on the
record and the film plot (read more on the link above) tells us it
will be quite a different Earthling Society trip and certainly more
than just a soundtrack.
‘Theme from MO – The Demon’ kicks
off with what can only be described as a vibrant far eastern Kosmische
and indeed Bowie-esque melody which builds up to a fine head of steam
of Crazy Horse proportions with guitar fireworks running through it
before fading out to a sequence of bleeps. What follows is ‘King
Boxer’ a wonderful, full on seventies action movie psych funk fusion
groove very much influenced by Miles Davis’s peerless heavy funk
fusion and indeed the more exploratory grooves that prime period
Santana could produce. If a crate digger came across this track on a
lost classic soundtrack library album they would be very happy indeed
and it’s a wonderful earworm with this listener right now.
‘Inauguration Of The Buddha Dome’ is perhaps on more familiar
Earthling Society territory and whips up a heavy psych maelstrom of
swirling noise before we emerge into ‘Mountains of Bliss’ a lovely
short feature for Fred’s guitar soloing over a blissful groove.
‘Super Holy Monk Defeats the Black Magic Muthafucker’ is not just
a tremendous title but a fantastic longer form guitar excursion with
some wonderful soloing over repeating raga like rhythmic figures
before a howling storm of noise envelopes the whole piece. ‘Spring
Snow’ features guest vocals from Bomi Seo and at over 10 minutes is
quite stunning. It starts with a brief echoing vocal over a beautiful
shimmering Eno-esque soundscape that leads into a short interlude of
wasp like drones before a full on space rock onslaught kicks in,
driven by pounding rhythms and a crunching riff over which guitars and
synths fly sky high. The track concludes with a reprise of the earlier
mysterious vocal including an atonal, almost free form accompaniment
of marimba and tape effects. ‘Jetavina Grove’ concludes the
record and is a song of two halves, starting with a rare vocal and a
lovely warm acoustic ‘Beatles in India’ feel before launching into
another cosmic blast off that gradually comes down to earth in a long
raga influenced fade.
There is so much to enjoy on this record
and it raises the already high bar set by Earthling Society even
higher. It skilfully avoids being simply entertaining pastiche and
elevates its influences to produce a very fine fusion of musical
styles through great playing and writing. I don’t expect to see
‘The Boxer’s Omen’ anytime soon on TV or in an arthouse cinema
but I now have my own very entertaining movie in my head based on this
record and if I ever do see it I know this will be the perfect
soundtrack. I urge you to invest in this record which comes out on 21
September but will doubtless have sold many pre-release copies so be
quick.
terrascope.co.uk
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